Ganbei, to you!
May 13, 2020
Question by question, alluding to a specific event which has erased private partnerships, without the need for establishing the event itself to undo what cannot be undone, that it is friendly enough to be subjective in nature and universal. And why? This will be reflected in the context of the languages of different cultures through a procedure in a spatial representation of the effort to overcome the limitations of the medium. Bringing together the Great Work of exploring the possibility of a historic place in the physical property of the space of an expanding and reproducing monochrome, tied in a completely wrong view of the efficient, dual-screen photocopy montage of empty rooms of equal size, thickness, and trace content. This practicality, the anchor of the art’s randomly vibrating plane of nodal social forms, teeters on a tilted side panel, a gaming metaphor heightening the mind. Here, you can treat yourself to ridiculous visual and literary imagination, emergency flights of fancy, far, far from the static modernist norm. The frequent and illusionist space of these images, while your favorite scenes play with meaning, is mixed with mythical creatures, future architecture, mathematical sound, and Totem poles in shining armor. It is an indicator of the balanced styling of the illuminated manuscript as a kind of banner, marking the page with a vertical stripe of identity. There are, when you’re working on art, historical communications with others, and sharing without knowledge, of the text. We must continue writing the normal process that comes to life as experience through art, and then, believing it to be a work of art, to look for an outlet that is similar to how we feel on a personal level. We are, anyway, free to put into words what we, as artists, know, that what is personal, experience already knows. There is a scalability of the minutiae of feeling that is assumed, that you feel is necessary, an important description of the meaning of life.